Restaurants - page 2

Note: Pique-Nique has stopped serving its chicken tasting menu. It may well still be a good restaurant, but it now serves typical French dishes at a mid-to-high-range price point, and we haven’t tasted anything on the current menu.

I’ll start with the most important point: Pique-Nique does the finest chicken I’ve eaten in London, and by extension, ever. It has a lovely and extremely French atmosphere, it’s very reasonably priced for what it is, and you will leave happy and full. All you really need to know is that you should go.

But since that would make for a fairly boring review, I’ll go into detail on exactly how they get rotisserie chicken so right, transmogrifying it from a solid but unexciting street food or takeaway option into an ambrosial delight.

First, it’s the chickens. People probably do spend too much time talking about where food comes from, possibly it’s just something to nerd out about and show off what you know. But Bresse chicken is a resounding blow in favour of caring about provenance.

These chickens live 120 days or so, compared to the supermarket standard 42, or 80-odd for the very highest-end free range chicken, making them the free range of free range. They roam around beautiful rolling hills and are deliberately fed only lightly so they seek out insects to eat. And it comes through. They are unimaginably deeply flavoured and delicious compared to regular chicken—a comparison that perhaps comes close is that the breast tastes, throughout, like normal chicken’s crispy skin. And the skin, well!

Second, I think it’s the preparation. Everything is precise and perfect. Properly juicy chicken, presumably from the steady turning on the spit, but coupled with bone dry crispy skin. Maximally creamy and finely riced mashed potato. Served simply with morels and a creamy sauce. Heavily reduced red wine sauce; warm, crispy, chewy, pully-aparty French bread, a clear but powerfully, er, chicken-y consomme. Fluffy chestnut soufflé. You get the idea.

Third, I think it’s the whole approach. Simple, comforting, hearty, delicious. We ate the £41 Bresse chicken tasting menu. You start with a glorious little croquette of shredded chicken with a sweet-sour chutney of some sort, with a cute bone sticking out. Then you get bread with pate—just out of the oven and they keep offering you more until you eventually find a backbone of resistance. If, like me, you abhor liver pate, they just happen to have expertly browned butter in reserve, unmentioned.

Then you get the consomme, which comes with offal on a stick above it. I don’t know if these people are geniuses or if they owe it to their extremely expensive poultry, but the gizzard, heart, and even that wobbly thing on top of the chicken’s head (yes we ate that) were scrumptious, again packed full of savoury depth and punch.

After the consomme you get the aforementioned breast of the chicken. But you’re still going! Soon you are presented with the bouncy, firm thigh and leg and their skin, with a sharply-dressed salad and a shiny and lip-smacking winey jus. I, personally, would confit those chicken legs. I prefer that melt-away soft texture to the more aggressive meaty firmness here, but I’m sure others agree.

You even get to choose what dessert you’d like. We had an entirely anonymous chocolate fondant, no better or worse than one you’d get anywhere, and a glorious chestnut soufflé, totally changing my mind on whether they are just a way to ostentatiously display cooking skills.

For me, chicken has always been a second-tier meat. I believed it was more of a canvas for flavour than the main flavour itself. Well, Pique-Nique shows my old views for the distilled wrongness I now know them to be.

(Two medals.)

The really big names in London restaurants, the ones everybody knows, are all steak places – Gaucho, Goodman, Hawksmoor. Apart from a few new challengers like Flat Iron, which I maintain is a triumph of economics and supply chain management above all else, it’s not always clear where you’d go for a good steak apart from one of those famous, expensive, and occasionally disappointing spots.

Knife, situated halfway between Clapham Common and Brixton High Street, is a surprising addition to this roster. It’s slightly out of the way on a street that is mostly residential, and I hadn’t seen it reviewed anywhere else. If it hadn’t been for its nomination in this year’s Harden’s London Restaurant Awards I doubt I would ever have heard of it at all, even though I live 20 minutes’ walk away.

I was assured by Ben, who spotted it, that being supplied by Lake District Farmers – who are so elite among butchers that they have to choose which London restaurants they supply from a select lottery – was a very good sign. And, after a booking process that seemed to imply a place in high demand, showing up to an empty restaurant at 7pm things felt a little strange.

But still, the early signs were good. Two bread rolls came hot from the oven with bone marrow butter, one brown with sesame seeds and one a salty, savoury rosemary and anchovy focaccia that I could have happily eaten more and more of until I was full. Very nice – and then a second plate of free welcome food came out, five golf ball-sized Yorkshire puddings with a little pot of gravy. The puds were crispy and chewy, just the way you want them.

Our heritage tomato starter (£6.50), served with basil, peach and bits of burrata cheese, did the job well. The peach was somewhat superfluous but every forkful of cheese, tomato, basil, olive oil and salt felt like the last day of summer, with tomatoes as flavoursome as you can get in England. But the real star was the oxtail with shallot puree, spring greens and stilton croquette (£7.50). Every part of this worked perfectly, with the savoury, sinewy meat of the oxtail being balanced by the sweetness of the shallots, and punched through with the stilton cheese. We more or less licked the plate clean so we didn’t miss a single drop of puree or meat.

Beef dripping chips (£4.50) were so enormous that calling them chips is a little misleading, but they were perfectly crunchy, fatty, salty and potatoey all the same. The perfect dip for chips, in my view, is bearnaise sauce, and Knife’s was freshly-made and pleasantly subtly flavoured. The one major misfire in the whole meal was the Stinking Bishop mac and cheese (£4.50), which I should have known would be disappointing (like buffalo wings, British restaurants cannot do mac and cheese for some reason) but really was a bit of a drag. We left most of it – it was just not creamy enough and too underpowered for a dish made with Stinking Bishop cheese. My suggestion to Knife and everyone else: stop trying to go for a crust by baking the mac and cheese, which if made in advance means the moisture is all absorbed by the macaroni, and make something like this instead.

But the star, of course, was the steak. The rib eye (£25.00) was cooked with astonishing skill, rare in the middle but utterly crisp and rendered on the edges. The interior meat was succulent and intensely flavoured, and barely needed any sauce to go alongside it. Still, the spinach, garlic, caper & anchovy puree served with the steaks was a marvellously sharp, umami accompaniment that brought out the flavours of the steak.

The £16.50 Holstein bavette steak (from former dairy cows, unusually) was less stunningly delicious but far better than almost any other steak you’d get almost anywhere else; it’s not quite priced to compete with Flat Iron but for a small amount more the quality was in another league. Both managed to be tender but maintain a bit of chew, which is just what I want from a steak. One minor complaint was that our steak was served rare, not medium rare as we asked. This wasn’t a huge problem for me, because I like it both ways, but the people beside us seemed to have a similar problem. It’s not a major crime, and they did re-do our neighbours’ steak when they asked, but it’s a bad habit for a steak restaurant to get into, even if you think serving the meat rare is best.

But never mind that. By the time we settled up, the restaurant was full and buzzing with people. At £86 for two, including drinks and service, for high quality ingredients, so skilfully made, Knife is something special.

Rating: Two medals.

I’ve written before about how Brixton sits a little uncomfortably when it comes to food and drink. It’s really not great considering how many options there are – it does the basics fine but it has none of the variety or spark of Dalston or the homeliness of Tooting. It’s miles ahead of Clapham, but I tend to think that people try to imagine that Brixton is something more than it truly is.

Pop Brixton, a container park that opened around the same time I moved here in 2015, has improved things quite a bit. I raved about Kricket when it was based there (and which is even better at its new home in Piccadilly), Koi Ramen is for my money the best ramen I’ve had outside of Asia and jaw-droppingly cheap at £6.50 for a bowl of tonkotsu, and I’m told the Ghanaian and Basque restaurants are very good too.

Smoke and Salt has moved in to Kricket’s old container and pitches itself as doing modern British food using ancient techniques – pickling, curing, smoking and roasting. After our run-in with failing chef Neil Rankin, some of Smoke and Salt’s fans suggested we try them out for a more generously portioned meal.

The whole place is crammed into a single shipping container, kitchen and all, and on a rainy day could only seat about eighteen people until the sun came out. As ever, I appreciated the bottles of tap water already set out at the tables. Drinks were priced reasonably (cocktails £7.50, beers and wine £4.50-5) and our Boston sours (whiskey sours with extra egg white) were well flavoured.

Whipped miso-infused butter was salty and savoury, if slightly underportioned for the five large slices of warm sourdough we were served (£2.50). The bread was decent but denser than I like – probably not left to rise for long enough prior to baking. But the fried plantain (£4) was the first real sign that this meal would be a treat. Crispy spears were sprinkled with chili flakes and salt, which offset the sweetness of the fruit, and served with an onion jam for dipping that wasn’t far off a sweetened, condensed French onion soup in flavour. Little leaves of fresh oregano gave the dish a wonderful smell and showed an admirable attention to detail.

We went for the beef heart slices supplement to the the new potatoes with chimichurri and gorgonzola (£4 plus £3 for the beef). This heaping mound of fried potato, meat, cheese sauce and herbs was the size of some main courses I’ve had recently. The potatoes had the earthy, creamy flavour of good Jersey Royals, and combining a sharp chimichurri with a rich blue cheese sauce balanced the flavours perfectly. Beef heart is not to everyone’s taste – it’s slightly rubbery and easily overcooked – but this was sliced thinly enough that small bits added meatiness to each mouthful. This might have been a summer dish but on a cold, rainy evening it was the ideal comfort food.

Cold grilled courgettes (£6), served with a thick dressing and sprinkled with seeds and walnuts, did not work as well. Texturally it was interesting enough, but after the flavours of the first two dishes, it fell short.

Never mind – the charred coley (£8) afterwards made up for it. This was slow-cooked in olive oil and done to perfection – to just the point of being cooked, without losing any moisture or firmness at all. This came with a crust of toasted hazelnuts and in a thin green sauce, which I guess from the menu was made from toasted garlic, but was indeterminately flavoured to me. Well-cooked fish is ridiculously hard to find, and I savoured every little bite. And it was a pretty decent sized bit of fish for eight quid too!

Miso and honey glazed lamb belly (£10) was, again, cooked perfectly with melting fat and falling-apart meat that was cut through by the sharp lemony pea salad served alongside. In some ways this summed up the meal – delicately-cooked meat with carefully-balanced flavours that complimented each other without being boring or unoriginal. The one misfire of the meal was the grilled hispi cabbage (£6) which came with a ‘smoky tofu dressing’ that more resembled Hellmann’s mayonnaise, and dominated all the other Asian-inflected elements of the dish, even the tasty little pickled peanuts.

By that point, though, both my companion and I were full anyway. And I don’t mind at all a weird, experimental dish that doesn’t work out if it only adds six pounds to the bill. How could you, in a place like Smoke and Salt? It’s innovative, generously-portioned food that manages to win on flavour and treats good ingredients with the careful cooking they deserve. And at £65 for two, including cocktails and service, it makes Smoke and Salt an immediate favourite of mine, and a jewel in Brixton’s restaurant scene.

Rating: Two medals.

If you ever find yourself in New Malden in South West London, a little town in between Wimbledon and Kingston, there are two things you should do. One, go to one of the gigantic Korean supermarkets and stock up on Asian food supplies – they have frozen chopped Filipino pig intestines, fresh kaffir lime leaves, and more space devoted to ramen than most Tescos give to breakfast cereal. Two, have some Korean barbecue.

The area is as close to a ‘Koreatown’ as London gets, and lots of shops have bilingual store fronts. Because it’s out in the suburbs the prices are as low as you’re going to get for grilled steak cuts, and it’s always enjoyable eating in a restaurant where you feel like a bit of a tourist.

I don’t know if Butcher BBQ is the best in New Malden but it’s the one that people tell you to go to. From the outside it looks closed, and it’s easy to miss as you walk down the high street. Inside it’s a utilitarian space with only about half a dozen tables and benches to eat at.

The menu is pretty big, but we’re only there for barbecue. If you haven’t had it before, Korean barbecue is cooked at your table, by yourself if you like or, if you’re like me, by the restaurant owner who gets frustrated at your ineptitude.

You can order item-by-item but a combo with brisket, bavette steak and rib-eye (£50 for two) seemed fine to me. Bowls of side-dishes come out – home-made kimchi, onions in a sweet vinegar (surprisingly delicious), radish in chilli sauce, and shredded spring onions with chilli, which we ordered separately.

With Korean barbecue the trick, apparently, is to make yourself little lettuce wraps with meat, soy bean paste and whatever else you fancy.

You don’t get an enormous amount of meat. The photo above is a little misleading, because the folded up brisket at the front is sliced wafer-thin. But it’s good meat, well-marbled, and barbecues well once the grill’s been heated and oiled a bit with a piece of pork fat.

My wraps are mostly a success.

The soy bean paste, in particular, is extremely moreish. It’s umami with some sweetness and adds some extra flavour to what is otherwise just a bit of meat, and especially for the chewier, stronger-tasting bavette steak it gives a bit of balance to the tastes. It can be a little awkward trying to bite off a chunk of the meat with your teeth, but eating with your hands is fun overall.

You’re never going to want Korean barbecue more than once a year, I suspect. It tastes pretty good, but there just isn’t that much to it. That said, the fun and novelty of grilling your food at your table while drinking Korean beer is just very pleasant. For tourism value alone, Butcher BBQ and New Malden are worth your time.

Rating: One medal.

Victoria has been on a quiet rise lately, with more and more good places opening up to capture some of that civil service dollar. Where a few good spots on Wilton Road like A Wong and About Thyme used to compete with the likes of Loco Mexicano and an all-you-can-eat Brazilian meat place (terrible, but my secret shame), now the likes of Bleecker Street Burger, Shake Shack and Bone Daddies are opening to turn the area into a pretty decent place to eat.

The main downside is that these are all chains, and for some diminishing returns seem to be setting in so that each new restaurant seems a little worse than the last – that means you, Franco Manca.

Enter The Other Naughty Piglet. Branch two of Brixton’s The Naughty Piglet, located upstairs at Andrew Lloyd Webber’s theatre The Other Palace, it has the air of any upmarket theatre cafe or restaurant – airy, open and bright with tables squeezed just a little bit too close together for comfort, and a seasonal ‘modern European’ menu.

Small plates come one-by-one for sharing and give the feel of a tasting menu with fewer airs and graces. Our ham croquettes (£2/each) were hot and gooey, with (I think) manchego cheese mixed in with a bechamel and nibbly bits of ham. I wished I’d ordered more than one each.

Datterini tomatoes (£6) came with a generous topping of feta cheese and a japanese dried chili powder, and though I couldn’t really taste the chili, the tomatoes were sweet and fragrant and a good match for quite a mild feta. Each bite was a little burst of summery flavour, helped along by a little coriander included in the greens on top.

Burrata (like mozzarella with a creamy cottage cheese-style centre) with confit onions (£9) was a smart pairing, with gently fried onions giving each mouthful three or four different textures at once. Both the onions and the burrata came in generous portions, even between two people, and the soft creaminess of dish gave it the feel of a summery comfort food.

The real highlight of the meal was Cornish mackerel with gooseberries, cherries and English mustard (£8), served in a sweet juice that I presume was from the gooseberries. The mackerel was tip-top: firm, moist without being too oily, with a powerfully mackerelly flavour that still avoided being too pungent. The mustard was a nice touch but the sweet juice and gooseberries were the real stars; this sweet/sour pairing with mackerel is really hard to beat. The whole menu is clearly built around creating food pairings, and in some cases like this one it works spectacularly well.

Black pudding with grilled nectarine (£9) came topped with chewy, fibrous greens (bean casings, apparently) that nevertheless gave some toughness and texture to two other squishy ingredients. This kind of upmarket black pudding that contains minimal barley is not my favourite, but the flavour was good and the pairing with warm nectarine was clever, balancing the black pudding’s strong savouriness. The plating (off to one side of a large plate, as above) was a little silly but hey – the dish itself packed a flavour and texture punch and, once again, created a brilliant combination that I haven’t ever tasted before.

Our last dish took some time to arrive and was somewhat underwhelming. Barbecued pork belly with hispi cabbage (£11) was served with quite an interesting Korean-style gochujang chili sauce, but was overall a bit of a let down – not bad by any means but boring compared to the rest of the food, and not quite substantial enough to justify its price tag. Still, the pork was cooked well and it tasted nice – it’s just that in the context of the rest of the meal, it felt less innovative than usual.

The bill was over £100 for a fairly boozy meal, but the food only came to £53 in total for two, including service. For food of this quality and prepared this well, that’s a steal. The one fly in the ointment is the wine list, whose cheapest bottle was £29 – apparently it is all ‘natural wine’, which I couldn’t care less about and don’t really appreciate having to spend an extra ten pounds over a normal bottle on.

It’s hard to find superb ingredients paired together creatively and with such boldness. Food that is both delicious and interesting is rare enough anywhere. And in the somewhat one-track Victoria, as much as it has improved lately, The Other Naughty Piglet stands apart.

Rating: Two medals.

You reviewed us on our soft launch with a 50% discount ? You massive, massive prick. The point of a soft launch is to iron out problems, hence the discount. Please go fuck yourself you unprofessional tosser.

Update: Temper’s owner disagreed with our review, and had the above to say. I stand by the review, and think it’s clear that the price/portion offering is not affected by the fact that it was a soft launch. As I said, if the dishes were significantly larger, or significantly cheaper, I would recommend the place. You can decide for yourself.

My dinner at the original Temper, in Soho, was probably my favourite meal of 2016—and I told founder Neil Rankin as much over the bar as he went about chopping and smoking large bits of goat in the restaurant’s shiny and beautiful central kitchen.

But I was not impressed with its new sister restaurant Temper City, and not for any quirks to do with the fact I went during a soft launch. The staff were friendly and efficient, and if some of them were still working on their knowledge of the menu then who cares, that’s what you expect. The kitchen got everything right, I’m sure, and when they didn’t they told us in advance that they were redoing our dishes. These sorts of growing pains are why they charge you half price and even if they didn’t they would hardly bother me.

No, it was the approach in general that didn’t quite come off. It certainly wasn’t bad, but had I paid full price I would have felt a little bit ripped off.

To begin with, I was surprised they had gone for a curry-based concept. I so confidently assumed that it’d be a rerun of the huge-smoked-pieces-of-quality-meat concept in the Soho original that I didn’t follow any of the news around the opening; I just booked as soon as booking lines were opened, and slavered away happily in anticipation. Actually, the curry-ness of the place can be overstated. There’s still a huge smoker and extractor fan in the middle, and they still offer substantial meat chunks with deep smoky flavours.

It was the price-to-portion ratio that confused me most.

These “crab beignet” puff pastries were delicate, expert, and came with a lovely sweet jam and sour cream, or maybe mayo, but they were £8.50! This is for something with almost no substance and the size of a man’s thumb.

The “Korean haggis”—a mix of coarsely minced or finely chopped duck offal with gochuchang, radishes and chillies, was more substantial, and was delicious and fun to eat wrapped in baby gem as well. But it was £12 for two or three solid mouthfuls! Come on!

The curry plates boasted an array of ingredients, and array they did have, but most of them were pointless. The tomatoes were a bit sad, the potatoes were a bit bland, and while the crunchy sweet nutty salad was lovely, I’m not sure how it combined with the others. The paratha was unbelievably pillowy, but there was barely a handful of (really excellent) goat, and we started with little idea of how to combine the ingredients together in more lettuce wraps, hidden under the mint. Plus it was £17. Is this supposed to be a main that fills you up? I think you’d need two of them, making a meal here an incredible indulgence.

The lamb skewers with kimchi were great, but—I know, I’m a broken record—they were £15. One of them was minced lamb (cheap), and while the other had two substantial cubes of lovely meat, it also had two big pieces of kidney (dirt cheap). Is it really unfeasible to offer a third? I can’t deny the loveliness of the sauce, where kimchi was balanced against a mild mayonnaise or some other creamy base.

We opted for peach, condensed milk, and roti for dessert. It’s a good combo, but I’m not sure they’re quite ready with their roti—these seem like the kind of thing that might get better. It was a bit flat; it didn’t have the bouncy life of a (much cheaper, much bigger) one I had at Roti King just weeks ago.

I hate to criticise Temper because I am a huge huge fan of the approach in so many ways. And I even kinda hope this one does well—maybe prices have to be higher in the City. But I won’t be going along at full price. I’ll be going for Sunday lunch at the original spot. (No medals.)

Up until Craft opened, there was absolutely no prospect of an interestingly good meal by the O2 Arena. I mean, that wasn’t the point of the O2, and it’s not clear to me that anyone really minded—events usually start too early to enjoy a proper restaurant meal anyway, you’re perfectly happy to have something cheap and cheerful.

But Craft opened to much aplomb in mid-2015, with a chef whose name was bandied about as if you were supposed to have independently heard of him (well I have now), and it was widely loved. People especially liked taking videos of themselves bashing open the hard clay coating their whole roasted duck—something I’m not criticising as gimmicks really do make things fun. Sadly it’s off the menu at the moment.

Craft does a pretty good job of creating atmosphere despite the fact it’s a three story glass-edged blob plopped in the middle of an empty, windy, usually-empty plaza—the gap between North Greenwich tube and the arena itself. The room was very expensively bedecked by someone who is apparently famous and world-conquering, but it’s not really to my taste: something about it is janky and forced.

We plumped for the £35 short tasting menu—there’s a £55 option as well—which would really be a good deal if the food hadn’t been disappointing: snacks, endless fantastic bread (chewy flatbread straight out of the oven, competent airy sourdough, and cultured fermented-tasting butter), and three courses proper, all solid portions and high end ingredients.

They do everything, seemingly, in-house, which does impress me. The ham was consistently textured in a way that supermarket stuff never does: it didn’t come apart in sections and you could bite right through. The middle one—whipped roe with caviar—was probably the nicest and most interesting thing we ate: that sea floor graininess you are looking for. I honestly can’t remember the third.

The starter was a cheddar custard with crumbs and veg. It was OK—I think I’m biased because I never want my cheese as custard, I want it as cheese. It was a bit like welsh rarebit.

Both of the mains were severely underseasoned and totally unimpressive. Yes, this hake was cooked well, but without seemingly ever being introduced to any salt it tasted of nothing at all. I cannot believe this is just my tastebuds failing me. What’s more, the accompanying veg (with the exception of burnt hispi cabbage, which literally cannot be bad) was just veg, like if you’d scraped out your fridge leftovers and lightly boiled them simply to make up space in a weeknight dinner.

The beef was worse. It was a decent-sized and well-cooked flat iron steak, and it was tender. That’s what I can say in its favour. But it was also drastically underflavoured,and tasted like the grey beef in a school dinner. I didn’t really know you could make high-end beef taste this mediocre. The broth was like a really weak watered stock cube, with a good deal less in the way of punch. It was lukewarm almost immediately. The less said about the random assorted veg the better.

I didn’t finish my dessert. It was extremely bland and commonplace carrot cake that was literally just the ginger cake you buy for £1 in a supermarket. And it came with sour cream. Sour cream! The ice cream was… ice cream. If it was specially home crafted rare milk ice cream it didn’t show.

My companion doesn’t like hazelnut, and they were kind enough to let her pick a different dessert (in fact, the service was extremely good throughout). It was rhubarb jam on some thin, brittle meringue sheets. I just don’t like this kind of meringue, it seems to dry the mouth out with a pervasive sandy dustiness. So take my opinion with a pinch of salt. The rhubarb jam had all the tangy rhubarb flavour seemingly sucked out of it, and could have done with more sweetness.

I had heard only good things about Craft, and every element seemed to have been thought through: design, sourcing, concept, menu, pricing, even website design. But I would not recommend anyone go. Even if a chef had a day off, that’s the sort of quality control that a restaurant charging at least £100 for dinner for two should not accept. I always thought I could guess if a place would be good based only on cues available before you get to the restaurant—I hope this is the exception that proves the rule.

Rating: Avoid.

For some of us, it’s difficult to visit a restaurant without having read at least one review first. There’s nothing I enjoy less than a bad meal, so to avoid that I rely on a handful of trusted friends, bloggers and tweeters to guide me. It works pretty well, but following the herd has its price: there must be dozens of good places out there that just never really break through.

Tozi is one of those places. Just off Wilton Street near Victoria station, home to the ridiculous (Loco Mexicano, Preto churrascaria) and the sublime (A Wong), I must have passed it dozens of times while it’s been open over the last five years, but when I was invited to eat there I assumed it was brand new.

The room is smart and airy, and mostly full on a Monday evening. The menu is mostly Venetian-style “cichetti” sharing plates, though we are here to try their new, one-week only Piemontese menu. We ask for all of the Piemontese menu, with accompanying wines, and a few dishes that the waiter recommends from the main menu.

Our first two dishes are a salami whose name I cannot remember and Testun al Barolo, a sheep and goat’s cheese packed in grapes. The salami is fatty and powerfully meaty, like a terrine, though the slices are perhaps a little too thin. The cheese is amazing, with the grapey sweetness mingling with the sharp goats cheese to create an incredibly rich combination unlike any cheese I’ve tasted before.

Next up is the first Piemontese dish, carpaccio of beef topped with pickled mushrooms and parmesan. I usually find carpaccio a bit too elegant and dull, and despite the chef’s best efforts with the pickled mushrooms this did leave me slightly underwhelmed. The ingredients were flawless, though, the beef being astonishingly tender and as flavorsome as thin, raw beef fillet can be. This was from a “Fassona” cow, a Piemontese breed famed in Italy for its tenderness.

Onto the raviolis. One dish is three large, ricotta-stuffed packets of ravioli, the other a Piemotese Agnolotti del Plin of much smaller stuffed bits of pasta, about the size and look of a whelk. Both come in a “butter sauce”, which is fabulously delicious. The first is swimming in the stuff, and the utility monster in me licks the plate clean. The second is more restrained to give the black truffle some space, and as you want with black truffle the aroma pervades every bite. Yum.

Our last savoury dish is Brasato al Barolo, a beef rump braised in a (quite expensive) Piemontese wine, served with mashed potatoes. OK: it looks like Irish stew. But it was a testament to the power of cooking with really, really good ingredients. The beef melted in your mouth, the sauce packed a powerful and complex flavour punch that betrayed hours of braising, shot through with parsley to lift things with a little lightness. And the potatoes were delicate and fluffy. I hated sharing it.

Finally, a chocolate bonet, which was like a chocolate creme caramel, with cream and Amaretto syrup. I’m not really a dessert person, and though this was clearly very well put together it felt a little bit of a come down from much of the other food we’d eaten. The real star of the course was the digestif we drank – Chinato Borgogno, which tasted a bit like a Campari mixed with a light tawny port. Bitter and sweet at the same time and truly unlike any other alcohol I’ve tasted.

I did not have high expectations going to Tozi. How could an upmarket Italian I’d never heard of, five minutes from Victoria station, be any good? But it was. It had confidence in itself, enough to let excellent ingredients speak for themselves and to present the food as it would be done in Italy, rather than with gimmicky twists. Though the Piemontese menu was a one-off, it would not surprise me to see some of the items added to the normal menu.

The big catch, and I’m afraid there is one, is that these ingredients come at a price: our meal would have been £101, had it not been comped and if we’d opted for a bottle of wine instead of the wine pairings (as well as a glass of the Chinato), and that’s for a fairly modest amount of food. That’s a pain for me, but it isn’t for everyone, and there’s something very nice about a place that refuses to compromise on the quality of its inputs. In an area not exactly brimming with talent and dominated by obnoxious, overpriced chains, Tozi’s quiet self-confidence deserves a wider audience.

Rating: One medal.

I was invited to review Tozi.